the album straddles analogue club music and vocal pop songs - rough, dark, extraordinary.

when dfc team (persi, collino & gemolotto) started their atahualpa project techno music was far to be a cool trend in the venues. even more innovative was to mash up acoustic, electronic, traditional instruments as peruvian panflutes and synthesizers while evocative voices drive listeners to the world of last inca emperor. it was in 1990 when ultimo imperio by atahualpa topped in several countries around the world becoming a milestone in the dance music history. nearly twentyfive years later dfc label releases 4 amazing new remixes and the story goes on

jeroens commemorating his roots by re-releasing a selection of search records from days gone by. each has been remastered in such a way that it retains its authentic and timeless energy. pressed onto fresh vinyl, this limited series contains some of the finest search tracks ever to be put out, handpicked by jeroen himself. in light of that it might be easily forgotten that jeroen search has been creating techno since the early nineties. and that he ran one of the most influential labels around back then: >search<. between 1996 and 2001 it was home to a host of releases, many from jeroen himself. released on vinyl and without any reprints, they ve since hidden in the record collections of a select few.

kool vibe s music today reflects the best of the 90s house music sounds that he manages to capture so well. after releasing on my love is underground & traxx underground in 2011 and 2012, the french producer launched his very own label kv records in 2013. here he comes back with a new solo project on his own label : the black & white project (pt.1 & pt.2) both records will be sold separately. these two eps invite you to a musical journey through 8 tracks which definitely prove mr. vibe s unconditional love for house music. every track is a dedication to the essential vibes of the 90s and a joyful reminder of those original days when house music was in the making.

ltd to 300!tokyo wax is a peckham based coterie of creative individuals who draw their influence from varied cross-section of electronic music s heritage. tokyo wax intend to outlet music that both reflects and expands upon their influences spanning across spacious, loose-limbed headphone pieces and tough, floor-focused club tracks. in to inaugurate the project are label heads presence and persona backed up by l.i.e.s and russian torrent versions affiliate ngly who collectively turn in a package bearing flecks of dub, percussion-lead house and tenebrous, left-of-centre electronica. tw001 was funded by a kickstarter campaign with all proceeds from record sales going towards the u.k based addison s disease self help group.

• 3rd release from positive centre on ocs
• 9 track lp of superb, dub inspired techno
after a pair of well-received eps and a string of immersive live shows over the past year, berlin based producer mike jefford prepares the release of his first long player under the positive centre moniker, entitled * in silent series*

an idea who’s time has clearly come, moon rock volume 1 struck a nerve upon release last spring. a collection of deeply atmospheric ambience, cosmic, and chillout techno, it was the opening salvo in a much longer-term effort by nyc-based throne of blood recordings to establish a platform for a diverse collection of friends and musical fellow travellers to explore composing music for folding time and exploring innerspace. now, just months after vol. 1 hit shelves, moon rock volume 2 is upon us…

from the sun kissed shores of brazil and the wonderful starlit nights of the mareh festival comes a new label, mareh music. mareh festival was started by a small group of friends whos only aim was to escape the big city, take an amazing sound system to a remote and beautiful part of the country, and then party together with friends and great music. it has grown since into a week long annual event featuring international djs playing alongside talented residents, and still has the same commitment to real quality and fun. mareh music is born from the soundtrack to those parties, and is launched to mark the festivals tenth birthday. so you can expect to hear beach bar boogie, disco-tinged dance floor movers and deep electronic groovers.

greco-romance. it has often been said that the early underground parties thrown by the greco-roman artist collective, party and record label were romantic affairs. maybe it was the punch, maybe it was the music, but love was certainly in the air. and so the third solo ep from hot chips joe goddard picks up where last summers ep *taking over*s love affair with club basements left off.

*out of town* fuses a wide variety of sounds and styles. the result is a beautiful, otherworldly album that moves effortlessly between blissful flamenco, shimmering, slo-mo nu disco, dubbed-out tango and haunting, ethereal soundscapes. first released back in 2010, *out of town* was the product of phil misons much loved cantoma project that was only available on cd and download at the time. now the classic album gets the vinyl release it deserves with hand numbered gatefold sleeve. limited to 500 copies.

this is the second of the 6-volume surgeon reissues label srx.
recorded one night almost 20 years ago after a bottle of whiskey, pet 2000 imagined a future of mutated, mechanical animals. the title was inspired by an actual pet shop in nottingham.
played by every techno dj back in the 90s, it can still burn a hole in any dance floor today.

drew pompa & pipe scuttleworth unveil 6 tracks of guitar, rhythmic percussion, drones, synth pads & a host of found sounds into a sonic brocade of melody emitting the shadowy energies of post-punk & dark wave. this mini-lp is limited to 300 numbered copies and comes in a full color artwork record jacket, with an 11x11 insert.

limited edition of 309 handnumbered copies with handprinted coverfront.
sunday music goes deeper and depper with this fantastic album release. it reflects the love of label owner henrik schwarz for jazz, contemporary and chamber music. when norwegians electro-jazz pioneer bugge wesseltoft and henrik schwarz (!k7/ innervisions) produced their collaboration duo, it was clear that their synergy was both unique within, and revitalizing to, the whole genre of electro-acoustic beat-based improvisation.

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

repress 2014 !!
after the hugely successful parties in paris, kill brique becomes a label for the more techier side of the house. it was hard to keep it up mixing all the styles on brique rouge. the almighty hardfloor open the new imprint with a huge huge track called soulful spirit , an hymn to independant music. you can expect the usual acid treatment as well as a detroit taste in a kms vein. pretty nice.on the flip and to prove you that we are dead serious about this new label we abducted josh wink when he came to paris and push him in the studio to make this good damn remix ! even oliver bondzio said he loves it, and the man is hard to please believe me ! so kill brique ! josh wink rmx

which side are you on ? is the second ep of berlin based fabian dikof. as a youngster he learned his first basic skills in producing and deejaying from mr. andre lodemann himself in a youth program that lodemann was teaching in his previous job as a social-worker. now years later we are happy to have fabian dikof back on board with his second release on our berlin-based imprint best works records

octave from romania. low to high ltd. is proud to presents a new vinyl series. >boom hunters< will try to support artists we like and respect worldwide pushing out some of their most exciting music, expect music coming from different places around the world. first volume was written and produced by octave from romania.

two deep jams with a dashing black & white mystique around them. check the b-side: late night club appeal! what it felt like to be so wanted, so adored. no one had ever felt like that about me. it was all so dramatic. always in the wee small hours when it seemed to me that the world was ours - that we were the world.

music is strongly linked to memory, sometimes just a simple note will trigger a deep feeling of nostalgia or emotion. the new homesick series was created by music enthusiasts living half a world away from their birthplaces. their concept is to play on memory, to re-edit and rework songs from the past into something which is timeless, tracks which feel fresh but remain true to the original.

limited 12inch 180g records, single press, hand stamped, individually numbered, no repress, no digital. tusk says, -the title track from tw15 was conceived after a particular heavy tusk wax label party at renate in berlin. i went back to my old pal pork intl s place for a bit of drunk studio time and told him all about the living legend that is gizzy the fox. a couple of bottles of wine later and i was telling the story to a microphone and we were writing an oddity of a track. if you have had the pleasure to meet gizzy and spend time in renate you might understand the lyrics, if not, they ll probably just sound like the rantings of a drunk man, funny that.-

it was a little bit quite around the wirrwarr label in the last few years, as the boys focused on other projects like building up an bookingagency, a 2nd recordshop, new labels and for sure producing new music. now they are back with some fresh and crazy minimal techno tracks. on a1 we have mr. wigbert with his first appeareance on wirrwarr, a2 comes from labelhead locke in cooperation with mc shaver. b1 is a freaky brain damaging minimal monster by matt star. and last but not least b2 called *piano*, a old but still fresh sounding work of locke. freak out!

massive two tracker from jonny miller on his 2nd edits release on kat.what you did is quite simply a whopper! disco music as god intended it - arms aloft, eyes shut, inhibitions nowhere to be seen, smiles bigger than life itself. what we have here is not an edit as such but a reworking of chaka khans what you did, subtly housed up, re-arranged, chopped, fil-tered and re-mastered within an inch of its life - chaka herself pretty much always sounds in-credible but here the vocal just seems to stand even taller than usual. on the other side we have something in which some of our slightly older party folk may well recognise. dionnes house classic from 88 gets the full edit treatment and the timing on this just seems so right. originally released on the ace bigshot label out of canada (and was just huge in the hacienda), re-mastered, stretched out, re-arranged and making the most out of all those old school stabs, ploddy bass lines and timeless vocals.

ltd nice price action !! >give it to me hot< is a 4-track ep that pays tribute to one of the hottest, raunchiest (but sadly short-lived) funk/punk groups from the early 80s, sexual harrassment.
sexual harrassment was started by radio dj lynn tolliver whilst he was working at mca records, and the cleveland-based group had a gold single on the heat/montage label. their rarer 6-track album from 1983 has become a collectors item. to do their tracks justice, we asked modern day artists who are synonymous with a sex-driven funk attitude to either cover or reinterpret the originals.

modelmaker is a new london label from the collective minds of dan berkson and james what. the esteemed house duo has long been garnishing a range of international imprints with their inventive analogue house and techno sounds, but now they are focussing on their own outlet. initially launching with a couple of self penned eps, release number three will be the pair s long-time-in-the-making debut album, and after that a considered selection of other talents will join the ranks as the label pushes on. always primarily focussed on machine made, texturally rich house and techno, each release will come with unique artwork based on works from whats great grandfather, conrad felixmuller, who was a well known german expressionist.

extra extra special revamped combination of the suf classics 01 and 02.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

after first appearing on the *fusic volume 4 ep* back in november 2013 with his track *yours*, antony difrancesco impressed so much that he was asked to complete a solo release for the label. this november antony debuts on fuse london with the luminous *level 3 ep*.

love club was an obscure one off project fronted by jay -mixin- dixon, a dj with a long history at nycs kiss fm where he played deep house and garage on the stations legendary master-mix show in the early 90s. the record also features a mystery, uncredited female vocalist assisted by some top shelf studio personnel manning the boards.

the raw ten is a collaboration between pittsburgh track authority and nic offer of !!!. *funny thing* is the first release by raw ten, a brand new collaboration uniting pittsburgh and new york city for maximum dancefloor devastation. following the path laid down by inner city so many years ago, *funny thing* is a vocal techno beast ready to do damage in the sets of deejays from deep underground all the way up to more mainstream. everyone will be vibing together in dance thanks to the soulful vocals of lou tanning alongside classic techno chords, but with banging drums and production values that could only come from today. in case the original wasnt enough, detroits church boy lou was enlisted for the remix, and it is a dubbed out jacking monster itself. jams as distinctive as these deserve to be treated right, so each one gets a full side 45 rpm cut from one of americas best dance music mastering engineers, dietrich shoenemann. the original full-color sleeve artwork is done by up-and-coming pittsburgh artist julie mallis.

radioactive man: -dub has always been a major influence in my music, mainly roots a la king tubby, marley, lee scratch, king jammy etc. i used to religiously tune into the manasseh show on kiss fm on saturday nights after coldcut, that introduced me to the massive amount of roots reggae and dub that was made in the 70s. i always loved the fact there was two versions, a vocal and a dub, which was always played in that order... the original remix music i guess...

out of the ashes of raceway recordings and racetrax, rises the new label from sterling moss - rebeltek. with well over 100 tracks out on vinyl, sterling decided it was time to start his own 12inch project again, so 2014 sees rise to the rebeltek alliance - an infusion of stomping 303 inspired techno beats, soon to hit the streets.

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkans phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian) now phantasy present ‘haven in a heartfelt world’, a new 4 track ep from u, defined in an early review by mixmag as “mind-bendingly warped and beautifully distorted…9/10“.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

bungalowa sound system is a group formed by two artists passionate about underground music: flowerfloreoo and micaandrea. together they began their trip around the world in search of abstract sounds and musical connections. this vinyls musical frequencies tend to improve the listners state of spirit, taking him to another level of music consciousness. metaonia definition: change in ones way of life resulting from penitence or spiritual conversion. what he demanded of people was metanoia, repentance, a complete change of heart

in 2011, julia thompson (dj black b1tch) gave me a tdk sa90 tape of a spontaneous live jam by insync recorded in her flat in forest hill, south london in march 1991. she had found it in a drawer when clearing out stuff. she gave it to me to listen to simply thinking i might be interested in hearing it. of course i was, particularly because the date on the tape immediately told me that the session was recorded more than a year before the release of insyncs debut, the seminal storm on irdial discs.

glam was the name used by italian hits producers dfc team to present their cult record hells party. hells party also was more than just an inspiration for the international hit the key the secret composed by urban cookies collective and dfc team. for their second glams record dfc team wanted one of their favorite artist of all times: pete burns of dead or alive. pete was really excited by glams demo and wrote one of his best songs: this is the story of sex drive that fast become an hit in 1994. today, exactly 20 years later, dfc label re-releases sex drive with four wonderful new remixes, a real hot record that pete burns and glams old and new fans cannot miss.

good morning children, welcome to school ! what might be known from ipoly mate 003, got a very different context here in the title track. heavy club food, flavoured by alec troniqs love for the energy of the early 90s. the chain was originally induced by old man trouble and then impulsively got the blues by alec troniq. it has a special place in their hearts and continues alec s series of crossovercollaborations in 2014.

it has been over a year since the last schmorgasbord release dropped, which saw al tourettes (better known now as second storey) rubbing up against paradroid in a mix up of electro, techno and electronica styles. now the label returns with bass clef and frak, who were asked to each commit a half-finished sketch of a track to tape, exchange tapes and finish off each others tracks. bass clef has been a strong solo force on the electronic music scene since he first emerged in the wider bass music field in 2006, and has since released on idle hands, punch drunk, pan and public information as well as running his own magic + dreams imprint. swedish trio frak have been releasing since their debut album in 1987 when they were thirteen years old. the swedish trio have been active for most of that time, running borft records and releasing a huge amount of music as well as performing live. in recent years they have enjoyed more recognition with releases on kontra musik, digitalis and sex tags mania. schmorgasbord launched in 2011 with a release that saw appleblim and october collaborating for the first time. it was followed up by a release from s-max and spatial.

deejay deer was born and raised in the bavarian wilderness and is to our knowledge the first forest dwelling animal to use the prefix deejay. deejay deer produces music of such high quality and depth that most people think hes a true pro who has been hiding in a studio for the past 20 years. deejay deer is hiding in the woods to protect himself from all the fake producers in the city

the first release after junk yard connections mr tophat (or was is art alfie) did spend some time in a tokyo record store and met kogara. they had a good click and since then the idea for the tokyo impressions series was born... here is is... three killer house tunes on the trustworthy junk yard connections label!

ed sheeran hat nun, nach seinem beeindruckenden debütalbum *+*, sein zweites album *x* veröffentlicht. der zweite longplayer bietet, ebenso wie der vorgänger, seichten singer/songwriter-pop, klingt dabei aber etwas urbaner. der brite verarbeitet allgemeine wie persönliche gefühle sehr schön in seinen songs – *afire love* ist da ein gutes beispiel. *x* ist eine schön runde platte geworden und genau das was ed sheerans fans gerne von ihm hören.
das doppel-vinyl erscheint im klappcover

our avida003 was convincing on whole line in last summer. now for this summer comes the respective remixes. great artists - wonderful package!
big support from mathias kaden, matthias tanzmann, reboot, markus homm, dan drastic, animal trainer, dubfire, yousef, leon, paco osuna, sascha dive, hermanez, martin eyerer and many many more...

still riding high on the support for his recent circus collab with ki creighton, new uk talent kydus immediately returns to the label with a brace of new tracks that have already become proven weapons in the sets of label yousef and the mighty carl cox. his latest double-header sees him turn out more fierce grooves and raw funk with a large helping of sun-fuelled piano for good measure. free spirit is captivating from the first drum to the last. a rolling groove, almost house, almost techno. a poignant story told that surrounds the listener with uncompromising positive energy, a huge summer moment if there ever was one. yousef has been nurturing the demo for almost six months, building it from a secret weapon to circus anthem.

originally released in 2002 this track was put out as a white label w/ a hand stamp.

this is a very proud moment for me. when i started 2000black i wanted to release music that was of today respecting the past and looking towards the future. timeless sounds regardless of genre or tempo. *fresh fromage* is that track - dego
already played by radio 1s benji b and soundsignatures theo parrish.

emotional rescue takes a look towards the dancefloor sounds of britain underground 80s electronic synth-pop scene for their next release. from dallas infamous ecstacy fueled starck club to the le palace in paris, it was such music that while not gaining wider pop recognition, become classics of their time and the secret finds for today s djs.

doubt makes his dba debut with four stepping left-of-centre techno jams, fresh from turning heads with a pair of trippy, forward-thinking releases for dvs1s mistress imprint. a veteran of the midwest electronic underground, doubt is the new alias of a minneapolis artist who has earned a reputation among aficionados of electronic music as one of the most inspired, engaging, and entertaining artists of his time. a true musicians musician, he routinely reaches for unconventional elements and seamlessly blends disparate styles to create completely unique sonic experiences, which hit all of the right buttons.

1821 was a landmark year for the greek nation as we know it today. revolt! is a vinyl only label based in athens and its first outing is a small revolution on its own, bringing carefully selected music under exclusive artists aliases as a manifestation of sonic freedom and truthful yet fearless music. limited edition whitelabel vinyls.

a soul experiment is the fourteenth album by trumpeter freddie hubbard recorded between 1968/1969 and released in 1969. it was his third release on the atlantic label and features performances by hubbard, carlos garnett on tenor sax, kenny barron on piano, gary illingworth plays the organ, billy butler & eric gale on guitar, jerry jemmott on bass, and grady tate & bernard purdie on drums. pressing on 180 gram audiophile vinyl.